A few years ago, I decided to gift my physical books to friends and family, thinking I’d go all in on my Kindle since it’s portable, easier to bring everywhere, and—well—I can have as many books as I want without worrying about space. Fast forward a few years, and here I am, missing the feel of paper.
To be honest, I didn’t enjoy reading as much on my Kindle, which sucks. I still have one and will continue to use it, but I miss my mini library. And so, project library rebuild was born!
The plan was to buy paperbacks only if I’d read them on the Kindle and loved them enough to want a physical copy. But, as with most things in my life, that plan didn’t stick. I started with classics and bought a number of beloved titles secondhand. Eventually, I moved on to buying newer titles too. (Blame it on the algorithm, yo!)
And now, here I am—with a haul! Haha!
In this exhilarating novel, two friends—often in love, but never lovers—come together as creative partners in the world of video game design, where success brings them fame, joy, tragedy, duplicity, and, ultimately, a kind of immortality.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. These friends, intimates since childhood, borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo. Overnight, the world is theirs. Not even twenty-five years old, Sam and Sadie are brilliant, successful, and rich, but these qualities won’t protect them from their own creative ambitions or the betrayals of their hearts.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
Yeongju is burned out. With her high-flying career, demanding marriage, and bustling life in Seoul, she knows she should feel successful—but all she feels is drained. Haunted by an abandoned dream, she takes a leap of faith and leaves her old life behind. Quitting her job and divorcing her husband, Yeongju moves to a quiet residential neighborhood outside the city and opens the Hyunam-dong Bookshop.
The transition isn’t easy. For months, all Yeongju can do is cry. But as the long hours in the shop stretch on, she begins to reflect on what makes a good bookseller and a meaningful store. She throws herself into reading voraciously, hosting author events, and crafting her own philosophy on bookselling. Gradually, Yeongju finds her footing in her new surroundings.
Surrounded by friends, writers, and the books that bind them, Yeongju begins to write a new chapter in her life. The Hyunam-dong Bookshop evolves into a warm, welcoming haven for lost souls—a place to rest, heal, and remember that it’s never too late to scrap the plot and start over.
One of Alasdair Gray’s most brilliant creations, Poor Things is a postmodern revision of Frankenstein that replaces the traditional monster with Bella Baxter – a beautiful young erotomaniac brought back to life with the brain of an infant. Godwin Baxter’s scientific ambition to create the perfect companion is realized when he finds the drowned body of Bella, but his dream is thwarted by Dr. Archibald McCandless’s jealous love for Baxter’s creation.
The hilarious tale of love and scandal that ensues would be “the whole story” in the hands of a lesser author (which in fact it is, for this account is actually written by Dr. McCandless). For Gray, though, this is only half the story, after which Bella (a.k.a. Victoria McCandless) has her own say in the matter.
Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful post-it notes that remind him when to smile, when to say “thank you,” and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.
Then on Christmas Eve—Yunjae’s sixteenth birthday—everything changes. A shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school and begins to bully Yunjae.
Against all odds, tormentor and victim learn they have more in common than they realized. Gon is stumped by Yunjae’s impassive calm, while Yunjae thinks if he gets to know the hotheaded Gon, he might learn how to experience true feelings. Drawn by curiosity, the two strike up a surprising friendship. As Yunjae begins to open his life to new people—including a girl at school—something slowly changes inside him. And when Gon suddenly finds his life in danger, it is Yunjae who will step outside of every comfort zone he has created to perhaps become a most unlikely hero.
Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank’s life is full of all the excesses Cleo’s lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could’ve predicted.
Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it’s Cleo’s best friend struggling to embrace his gender queerness in the wake of Cleo’s marriage, or Frank’s financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last.
As hilarious as it is heartbreaking, entertaining as it is deeply moving, Cleopatra and Frankenstein marks the entry of a brilliant and bold new talent.
On an unnamed island off an unnamed coast, objects are disappearing: first hats, then ribbons, birds, roses—until things become much more serious. Most of the island’s inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.
Hidden in Jimbocho, Tokyo, is a booklover’s paradise. On a quiet corner in an old wooden building lies a shop filled with hundreds of second-hand books.
Twenty-five-year-old Takako has never liked reading, although the Morisaki bookshop has been in her family for three generations. It is the pride and joy of her uncle Satoru, who has devoted his life to the bookshop since his wife Momoko left him five years earlier.
When Takako’s boyfriend reveals he’s marrying someone else, she reluctantly accepts her eccentric uncle’s offer to live rent-free in the tiny room above the shop. Hoping to nurse her broken heart in peace, Takako is surprised to encounter new worlds within the stacks of books lining the Morisaki bookshop.
As summer fades to autumn, Satoru and Takako discover they have more in common than they first thought. The Morisaki bookshop has something to teach them both about life, love, and the healing power of books.
These are bought from my favorite bookstore – Fullybooked. Amazon is not a good option for me because of shipping costs and well, I am very impatient so I mostly shop at Fullybooked. Glad they have amazing customer service, but my wallet is shedding a tear or two! Haha!
So that’s it for me. Mostly excited about Almond and Days at the Morisaki Bookshop. Purchased any books lately? Give me your recs as I am so out of touch with the latest releases. Happy reading!
Leave a Reply